Who is the author of the ballet "Cinderella"? Content, features

The good and fascinating tale of the French storyteller Charles Perrault is well known not only to every adult, but also to every child. According to her plot films are shot, performances are staged, cartoons are created, and, of course, ballet is staged. After all, the dancing extravaganza itself is an amazing fairy tale. So who was the author of the ballet "Cinderella"?

Remembering the plot

The literary basis of any dance performance is a specially written libretto. For the fairy tale "Cinderella" it was performed by Nikolai Volkov.

If you recall the story of Cinderella in the authorship of Perrault, the father of the girl was a widower and married again. The stepmother disliked her stepdaughter, humiliated and offended her in every way, kept her in a "black body," starved, forced her to do unbearable work for ordinary people, even beat her. But most often she manipulated the feelings of Cinderella's love for her father: insulted him, threatened to drive her out of the house. Cinderella was very sorry for her father, and so she tried in every possible way to serve her stepmother and her two relatives, very wayward, angry and selfish daughters. However, in the tale there is no description of the scene with which the ballet begins. In it, Cinderella does homework.

Missing her mother, she takes out her portrait. The portrait of the stepmother is covered with a cloth. An angry woman breaks her anger on a girl. At the time of a quarrel, a beggar appears on the stage and asks for alms. Everyone turns away from her, except Cinderella. Later we will see that the beggar is the cross Cinderella - a good sorceress, capable of reincarnation. In the fairy tale Perrault, she does not appear in the form of a beggar. For the first time, we encounter it immediately after the stepmother and her daughters leave for the palace.

In the collection scene for the ball, we also find differences. According to the story of the fairy tale, Cinderella must sew three dresses for her stepmother and sisters in a short time. And then help them directly in the ballroom. In addition to her stepmother, her daughters and Cinderella, no one else was present. In the ballet, at gatherings for the ball, there were also tailors, and hairdressers, and musicians, and dancing masters. And when the godmother gathers Cinderella at the ball, only her student helps her in a fairy tale, and in the ballet there are many assistants.

Continue a detailed comparison of the stories further you can and yourself. And our task is to find out who is the author of the ballet "Cinderella". And the representative of what profession they can be considered.

So who is the author of the ballet "Cinderella"?

To understand, let's turn to the lexical meaning of the word "author." Dictionaries offer us several meanings. Firstly, it is any person whose creative work created the work. Secondly, it is the creator of creation in any kind of art. Thus, the author of the ballet can be a librettist, director, composer. Of course, a great role is given to the latter.

If we start from the above, then the creator of the libretto we already called. The author-composer of the ballet "Cinderella" is Sergei Prokofiev.

But there are several choreographers who can stage the production, since there are many scenic versions of the play. In the classical version, the first ballet was staged at the first pre-war stage by Vakhtang Chabukiani, and in the second, post-war version, by Konstantin Sergeyev. But the performance was presented to the public for the first time in the production of Rostislav Vladimirovich Zakharov. It happened in Moscow, at the Bolshoi Theater.

Five months later, the original version was demonstrated at the Mariinsky Opera and Ballet Theater. Kirov, but the classical version in the history of the ballet is still the production of Rostislav Zakharov.

Author - composer

How do they usually answer the question of who wrote the ballet "Cinderella"? "The author is Prokofiev," the ballet experts say. And really. The composer is the most important, perhaps, person in the creation of a dance piece.

The author of the music of the ballet "Cinderella" SS Prokofiev created it in the tradition of a classic fairy-tale play, very romantic and lyrical. In the course of the development of the plot he used a large set of classical ballroom dances: gavot, waltz, gallop, mazurka. And there are several waltzes during the performance. The most famous of them is the "Big". In the practice of symphonic music, it is used as an independent instrumental work.

The music of the ballet is "talking" and "illustrative". For example, in the scene with the clock, with the help of uniform tempo-rhythm and repeating chords, an image of the outgoing time is created. Prokofiev in "Cinderella" became the continuation of the work of the "ballet storyteller," the patriarch of the Russian ballet Pyotr Ilyich Tchaikovsky.

Such a different and such a traditional "Cinderella"

In the productions of many musical theaters, different versions of the famous production were performed at different times. Traditionally, the musical-scenario basis of the play has not changed. Only the authors of the ballet Cinderella changed.

Since 1964 in the Great Hall of the Conservatory of St. Petersburg, the ballet "Cinderella" has been staged by the famous Oleg Vinogradov, who is starting the choreographer at that time. The premiere of the performance took place on the stage of the Novosibirsk Opera and Ballet Theater. This version of the famous ballet - thinking about talent and mediocrity, about beauty and ugliness, about spirituality and inner emptiness.

In 2016 in Perm, a new version of "Cinderella" was staged by Alexei Miroshnichenko. He transferred all the action in the 1950s, where he told about the first version of the ballet in the Bolshoi Theater of Moscow.

But in the modern production of Cyril Simonov, the Musical Theater of Karelia presented to its viewer a very tragic reading of the story, immersing in the atmosphere of the 1930s and 40s, when Sergei Prokofiev wrote music for an immortal performance. Simonov is sure that it reflects the author's heavy experiences based on personal tragedy, as well as the anticipation of the war, invisibly soaring around.