"Woe from Wit": an analysis of the episode "The Ball in the House of Famusov"

In the comedy "Woe from Wit" by AS Griboyedov, the scene of the ball takes an important place. You will see this in this article after reading this article. It presents an analysis of the episode "The Ball in the House of Famusov."

Preparing the stage of the ball

In the comedy, the stage of the ball is prepared in advance. The development of the action from the point of view of the ideological conflict of this play is anticipated by the monologues of Famusov and Chatsky, in which the ideological convictions and views of the "century past" and "the present century" are contrasted, and also the rejection of the thoughts and ideas of the main hero by the society that represents the advanced noble youth in Russia, 20-ies of the 19 century.

Carrying out the analysis of the episode "The Ball in the House of Famusov," it should be noted that the phenomena and pictures preceding this scene are of great importance. Seeking to obtain recognition from Sophia at the beginning of the third act, Chatsky gives her the very reason for ridicule: "Is not it, ridiculous?" He identifies the love that he feels for this heroine, with insanity. The reaction of the girl to this comparison served as the basis for the gossip quickly spreading at the evening at Famusov's.

"Gallery of types", presented at the ball

As the analysis of the episode "The Ball in the House of Famusov" shows, this scene is a typical picture depicting the reigning at that time of morals. This is the "gallery of types" of Moscow. Each family invited to Famusov consists of ubiquitous representatives of the then society. She plays her own little comedy.

Cheta Gorichey

The analysis of the episode "Ball in the house of Famusov" according to the plan can begin with the Goriches family, since it comes first. Platon Mikhailovich, husband, is a colleague and an old friend of Chatsky. He was a young, lively, lively and cheerful man. Now, according to Chatsky, this man is "lazy" and "calm", he forgot his comrades and "the camp noise." It seems that before the marriage, Natalia Dmitrievna also knew the protagonist pretty well. One can judge this by her reaction when she meets with Alexander Andreevich: "Ah, Alexander Andreich, are you?" This woman is a vivid example of women's power. She killed in her husband his worries about his health the liveliness inherent in him in his youth. As a result, he became a weak-willed man. His wife completely subordinated her husband to constant unrest about his health, remarks. In this pair, the husband's role is reduced to a level of fun, toys in the hands of his wife. He himself admits that family life is boring.

Chet Tugoukhovskih

Continuing the analysis of the episode "The Ball in the House of Famusov," we proceed to the next guests. After Gorichey, a couple of Tugoukhovskys appear: the princess and the prince, along with six daughters who represent the "contingent of brides," according to Goncharov. The behavior of these ladies corresponds completely to the way Famusov describes Moscow ladies: "taste", "excellent manner." They are able to fashion "dress up" with a "haze", a "velvet" and a "taft". To talk about dresses all their dialogues are reduced.

The behavior of the guests during the ball confirms that in this society money and rank are decisive. Princess Tugoukhovskaya sent already to the husband of Chatka to woo her daughters, however, having learned that Alexander Andreevich is not rich and does not serve anywhere, he began to call the prince back.

Reception of "speaking surnames"

Griboedov in the comedy uses the method of "speaking surnames", traditional for classical plays. Prince Tugoukhovsky serves as a vivid example of this. He considers deafness to be his only drawback. This person hardly hears himself and is forced several times to ask again, putting the ear canal to his ear. Like Platon Mikhailovich, Tugoukhovsky is subordinate to his wife. His role in family life is so insignificant that he does not say anything during the ball, except for various interjections like "Uhh!"

The old woman Khlestova

The old woman Khlestova, which is proved by the analysis of the episode "The Ball in the House of Famusov" ("Woe from Wit"), is a relic of the Catherine's century. This "FAMUSOV in a skirt," an ardent serfress, who in the society holds confidently, expresses boldly her judgments, knowing that no one will object to her. This heroine tries with all her might to protect the "underworld" of the "past life" by opposing everything new that can change the current order, in particular, education.

Zagoretsky

The next character, without which there would be an incomplete gallery of types presented at the ball, is Zagoretsky. He is described as a "rogue" and "notorious swindler." Everyone knows this, but they accept this person everywhere, because he is a "master of service." Zagoretsky offers a courteous Sofya ticket for the play, agrees in everything with others, assents to everyone.

What causes Chats' dislike of the guests?

Chatsky contrives at the ball to provoke irritation and dislike of all the guests who are present at Famusov, with their harsh remarks and caustic remarks. After analyzing the episode "The Ball at the Famusov's House", briefly outlined in this article, we noticed that the protagonist is drawing closer to the denouement of the social conflict, which consists in a clash with the "century past" "the present century." For example, he says causticism to the Countess, the granddaughter, who "sits a whole century" in the girls.

Characteristics of the FAMUS society

Cohesion, unity, consent are important characteristics of the society described in the episode. Unity lies in the way it perceived Chatsky's speeches. FAMUSOVSKAYA Moscow was equally unanimous in spreading the gossip that Alexander Andreevich had allegedly gone insane, and also in the rapidity with which it spread through the masters of N. and P. .. You can see this by conducting an independent analysis of the episode "Ball In the house of Famusov. " Conclusion: the society is extremely unanimous.

All the heroes are united by this gossip. A rumored rumor about the madness of Alexander Andreevich is the only weapon against his speeches. Thus Moscow's "light" expressed its attitude to the behavior of this hero. Gossip is a means of revealing the characters, and this applies not only to the main characters, but also to the secondary characters. For example, Platon Mikhailovich does not at first believe in Chatsky's madness, but he must admit it when he understands that everyone thinks so.

Concluding the analysis of the episode "The Ball in the House of Famusov" according to the plan, let us say a few words about what all these events ended for the main character. Tragic for Alexander Andreevich final. He learns that the rumor was launched by Sophia, the girl in whom he is in love. In the finale of the scene from Chatsky all guests turned away, and the hero was alone among the crowd.

So, as the analysis of the episode "The Ball in the House of Famusov" ("Woe from Wit") shows, this part of the play plays an important role in the comedy. There is a culmination of love and social conflict. The decoupling is also approaching this episode. In front of the spectator at the ball is a gallery of types of the Moscow baroque of the first quarter of the 19th century.

We analyzed the episode "The Ball in the House of Famusov." The summary of this scene is not exhausted by the events described. We noted only the basic ones that we need to analyze.