Svetlana Varguzova - the legendary singer of the operetta

Varguzova Svetlana Pavlovna - a famous Soviet singer, People's Artist of Russia. Has a strong and beautiful voice of a wide range. Dozens of key roles were played in the Operetta Theater. The article will describe a short biography of the artist.

Young soloist

Svetlana Varguzova was born in 1944 in Moscow. The girl's family was musical. The father sang a lyrical baritone to the children instead of Tchaikovsky's lullabies from "Eugene Onegin", and her mother rejoiced with ditties. Love for singing was transmitted and Light. Even the kindergarten teachers noticed her excellent vocals and advised her parents to give the girl to the appropriate circle.

Initially Varguzova performed at a professional level, bypassing artistic amateur performance. In the school choir Sveta was a soloist, and in the sixth grade she sang in a children's choir with Valentina Tolkunova. Supervised by the team Semyon Dunaevsky. Participants of the choir developed voices and instilled an irreproachable musical taste.

The way to the operetta

Despite the apparent talent for singing Svetlana Varguzova did not dream about a vocal career. The girl wanted to become a doctor. But the years spent in the choir took their, and after graduation Svetlana entered the vocal department at the Musical College. The Gnessins. During the exams, the girl was offered to try herself at the music theater department. The combination of acting and vocal skills prepared Varguzov to work in an operetta.

When the girl was studying in the fourth year, she was invited to her troupe by the director of the Moscow Theater. Here Svetlana was lucky to meet Gregory Yaron - one of the founders of the operetta genre in Russia. For the first few years, she had minor roles in the crowd. The girl studied at Tatyana Shmygi (the main actress of theater), and Svetlana's skill grew in geometrical progression. Now she is already engaged in training new actors.

Svetlana Varguzova: personal life

The professional career of the heroine of this article was quite successful, which can not be said about personal life. Varguzova's first husband was a choirmaster and gave her a lot in terms of music. But unfortunately, he could not stand the fact that his wife became more successful. Soon, their marriage broke up, and Svetlana had to raise her daughter alone in solitude.

After some time Varguzova met at a concert with Professor of Law Christopher Andriashin. Subsequently, the singer married him. The couple have been together for more than thirty-five years. They had to endure difficult times, but they are still happy.

Anna (Svetlana's daughter) often lived with her grandmother as a child, as busy parents were constantly on the road. She also has good music data, but still she chose a career as a lawyer for herself. Anna has two children. The eldest daughter, Xenia, followed in the footsteps of her mother and entered the law faculty. The youngest, Maria, appears on the stage with her grandmother.

Biography

At the beginning of her career, Svetlana Varguzova played a lot of female students and shock workers. At that time, this was due to the ideological attitudes of the party. Naturally, those performances have long lost their relevance and disappeared from theatrical posters. Due to the played role Svetlana developed her talent and got brilliant roles in the future.

According to the actress, stage-by-stage professional growth is quite useful. This does not allow the artist to burn out. And this often happens with those who quickly retrain into a star. In different years Svetlana Varguzova played in such productions as "Orpheus in Hell", "Silva", "Merry Widow", "Bat", etc. At the moment the singer plays the role of a fairy in the children's play "Cinderella".

The duo with the experience

The creative tandem of Svetlana Varguzova and Yuri Vedeneev developed back in the 70s of the last century. Directors for decades regularly used this duet in their premiere. Yuri and Svetlana still play in the walls of their native theater and are actively touring, collecting full-faces.

According to Vedeneev, this indicates that the genre of the operetta will not die, as many critics predict. Svetlana Varguzova, whose biography is presented in the article, agrees with her colleague. The actress notes that people are tired of violence on the screen and are attracted to real music. Operetta is a genre accessible to all, because it introduces people to the classical music and is not primitive.