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Resonator and vocal chant for the voice

Raspevka for voice is what starts any vocal lesson. She, like a physical exercise, develops the vocal cords, prepares them for further exercise, awakens. Neglecting such a warm-up can lead to big problems that will be associated with the voice and the ability to sing. In this article, we'll look at a few vocal exercises that you need to know and sing to each vocalist.

Preparation for singing

Before you start to warm up, you need to take a suitable pose. In no case do not sing sitting, bending, or even more, with your legs tucked to your chest. The air must freely circulate through the whole body, the muscles must be relaxed, the thoughts are free. In this state, any voice for the voice will perfectly heat the bundles, prepare them for new high (or low) notes, which you will have to take in serious works.

Resonator workouts

So, for a start, let's start a little. Imagine that through the whole body passes a large rope, which reaches its end with the ceiling. It should be sounded smoothly and evenly. Such a voice for the voice is designed to develop resonators: the top and bottom. The first is in the nose, and the second is located in the chest area. If you always sing bass, then it's logical to develop the lower resonator. If your voice is soprano and higher, then work through the upper registers.

Also our vocal bunches perfectly develop a chant for a voice called "vacuum cleaner". For several minutes, pronounce the sound, which is something between "in" and "f". First take a deep breath, and then start letting out the air through your mouth, uttering a similar sound. Imagine that water flows out of your mouth evenly and calmly.

Vocal exercises

Now let's look at vocal melodies based on melody and frets for voices. The words of the first of them are perfectly familiar to everyone: "Mi-Ma-Ma-Mo-Mu". Repeat these syllables you need on one note, each time raising it to a semitone. Start with the lowest sound that is available to the range of your voice. Gradually, you will reach the top. In order for the exercise to become more effective, go back to all the sung notes the same way down.

Many exercises for chanting the voice are built on a quart or quintal scale, which begins with a tonic step of the major mode. If only four steps are sung, the word "mi-i" is most often extended. The first four notes (upward movement) have a syllable "mi", when we go down to the tonic with a voice, sing the syllable "I". The sound "mi-i" can be replaced with "zima" and any other combination of syllables.

Most often, quintet chanting begins to sing from the fifth step of the major mode, descending to the tonic. One of the variants of words is "my homeland", where each syllable corresponds to its own note. Gradually, this kind of singing can increase its tone by half or lower. Similarly to the previous case, the words "my native land" can be replaced by any other set of syllables.

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