Fedor Ivanovich Tyutchev: biography, a brief description of creativity

Fedor Ivanovich Tiutchev, whose verses, biography and creative path will be examined below, is an extremely interesting man. It is not without reason that he is considered one of the best Russian classics, among which he takes at least an honorable place. He became famous not only as a poet, but also as a diplomat in the service of Russia, and also (though to a lesser extent) as a publicist and corresponding member of the St. Petersburg Academy of Sciences. Like many creative personalities, his relations with women were confusing, one might say, creative and not fit within the framework of philistine morality. There were on the life of the poet and mistakes, and tragic moments.

F.I. Tyutchev, biography. A Brief History of Young Years

Fedor Tyutchev saw the light in the family estate Ovstug Bryansky district on December 5th, 1803. You can say that he was a child prodigy. He knew Latin, was fond of Roman poetry and at the age of 13 translated Horace's poems. Fourteen years of age he became a free listener of the Verbal Department of Moscow University, and in 16 he became a member of the student society of lovers of Russian literature. Having received a diploma in 1821, Tyutchev gets a good job - an attache (although freelance) work in Bavaria, under the Russian diplomatic mission.

In Munich Tyutchev (biography briefly does not pass details) gets acquainted with Heine and Schelling, as well as with Novalis. The latter subsequently had a very great influence on the poet's work. In 1826, a young Russian diplomat married the Countess Eleanor Peterson. From this marriage three daughters were born. In 1937, the family suffers a shipwreck in the Baltic Sea. To save his wife and daughters Tyutchev is helped by Ivan Turgenev, a passenger of the same steamer. But the catastrophe fatally affected the health of Peterson, and she dies in 1838.

Three Muses

Although eyewitnesses say that at the coffin of his wife Tiutchev turned gray overnight, next year he remarries - with the recently widowed baroness Ernestina Pfeffel-Dörnberg. There is evidence that he had a connection with her during the life of Eleanor. In addition to these two ladies, the poet devoted a lot of lyric poems to a certain EA Denisyeva. Which of these three women Tyutchev loved most, the biography - a brief history of his life - is silent about this.

Return to Russia

On behalf of the Russian Ministry of Foreign Affairs, until 1844, Tyutchev is actively engaged in work to promote Russia's active image in the West. He writes his first publicistic works: "Letter to Mr. Dr. Kolb," "A Note to the Tsar," "Russia and the Revolution," and others. In Russia, he took the place of senior censor under the Ministry of Foreign Affairs. In 1858, he grew to the rank of a valid state councilor. Being a tough censor and ardent supporter of the Russian empire, Tyutchev (the biography of a short poet full of such oddities) was still a member of Belinsky's circle and was published in the journal Sovremennik. In December 1872, the secret counselor felt a sharp deterioration in his health. He began to pursue headaches, lost the sensitivity of his left hand, his eyesight diminished. On January 1, 1873, he was hit by a blow that half paralyzed the poet. July 15 of the same year Tyutchev died, and it happened in Tsarskoe Selo. The classic is buried in the Novodevichy Cemetery.

Poet Tyutchev: biography and creativity

Researchers of works and styles of Tyutchev believe that his creator's path can be divided into three periods. Youthful poems (until 1820) are archaic in style. The second period (1820-40s) is an odic poetry in which the features of European romanticism are intertwined. After a 10-year break in writing poems, the third, mature period (1850-70) begins. Denisyevsky cycle of love lyrics is being created, political works are being written.