Description of Pushkin's appearance on pictures and self-portrait

The portrait genre occupied one of the leading places in Russian painting in the second half of the eighteenth and early nineteenth centuries. Famous artists of that time posed many famous people, however, perhaps, no one called the painters of such interest, as Alexander Sergeyevich. The description of Pushkin's appearance with a brush is perhaps even more complicated than an artistic word.

Images of Pushkin in the fine arts of the XIX century

As you know, the culture of the XIX century was literary-centric: poetry and artistic prose set the tone for other kinds of art. The phenomenon of A. Pushkin's creativity consists not only in the creation of the Russian literary language, but also in the fact that his statements about the contemporary epoch were the quintessence of the thoughts of the Russian intelligentsia of the first third of the century. Therefore it is not surprising that the poet's personality so attracted the attention of artists. His portraits were written by the best painters of Russia: A. Tropinin, O. Kiprensky, I. Repin. Description of external According to the pictures of the above-mentioned authors, the nature of Pushkin is the subject of this review.

Portraits of Pushkin by Tropinin and Kiprensky

In 1827, Tropinin created one of the most famous images of "the sun of Russian poetry." The artist introduced the poet to the young, romantic, inspired. Pushkin was then at the height of glory: it was the flowering of his work (as well as the work of Tropinin). The description of Pushkin's appearance can be briefly, perhaps, best produced by this portrait: the painter very expressively defined one very characteristic feature in the guise of the writer-the loftiness of thought.

Alexander Sergeyevich very much praised his portrait of Kiprensky's brush. This image has long become a classic: it seems, it can be seen in all school textbooks on Russian literature. The description of Pushkin's appearance on this picture can be exhaustive: the artist conveyed in him the poet's inner world in such a way that he seems, probably, to the majority of his devoted readers or those who at least sometimes thought about the character of the author.

Comparison of Pushkin's portraits of Tropinin and Kiprensky

On the canvas of Kiprensky, Pushkin's face is serious and concentrated, as if purposely showing a contrast with the image created by Tropinin. A thoughtful, attentive, deep look speaks of a vast life experience, despite youth. It is significant that both paintings were written in one year, that is, at the time of the writer's creative upsurge. However, Vasily Andreevich saw in it primarily a romantic, a dreamer, as he was, probably, while writing his lyrical freedom-loving poems and poems.

Description of Pushkin's appearance on the portrait of Orest Adamovich is much more complicated: the appearance of the poet, at first glance, is simpler, but this is precisely the whole complexity. The everyday, everyday appearance of the poet can make his description more difficult. At the same time, the image is quite recognizable: the viewer sees before him a very intelligent person who has experienced much, comprehended and embodied in the artistic word. The fact that Alexander Sergeevich spoke positively about this picture, proves that the portrait indeed was a success.

Pushkin in the painting Repin

Repin wrote the famous canvas "Pushkin at the Lyceum Exam on January 8, 1815" in honor of the centenary of the Imperial Lyceum in Tsarskoe Selo, and it was not without reason that the stage for reading the poet's poetry of the famous poem "Memories of Tsarskoe Selo" was chosen for the plot. The artist captured the expressive, inspired face of Alexander Sergeevich, who had so far been carried away by the recitation that he had not even noticed the rapid manifestation of the enthusiasm of the elderly poet G. Derzhavin, who seemed ready to rush into the arms of the new luminary of Russian poetry. The description of Pushkin's appearance in English can be realized on the basis of this particular picture: in it there is a composition, a plot that fully corresponds to the vocabulary of schoolchildren.

Self-portrait of the poet

Perhaps no one could better characterize Alexander Sergeevich than he himself. The author has often joked about himself in poems, epigrams and even in such major works as a novel in verse "Eugene Onegin." On the basis of his writings, the poet's vision of himself is quite obvious to the reader. Pushkin treated himself with easy good-natured irony: he understood his shortcomings, which he himself laughed at, but at the same time it was significant that he was perfectly aware of the significance of his talent and creativity in the development of the Russian literary language and fiction in general.

It is these qualities of character Pushkin conveyed in his self-portrait. The figure shows a young man with a thoughtful expression on his face: despite his age, he has great life experience, and the viewer understands that he has already learned a lot and comprehend. At the same time, this image conveys a good temper, sociability, responsiveness, that is, precisely the very features that Alexander Sergeyevich probably valued especially in himself and in others. It is known that the poet attached great importance to friendship, giving her a considerable place in the lyrics. The description of Pushkin's appearance in English can also be done on the basis of this self-portrait, since he in a concise form conveys the very essence of the poet's personality.