"Dear Elena Sergeevna": Summary. "Dear Elena Sergeevna" - a book by Razumovskaya and a film by Ryazanov

"Dear Elena Sergeevna" - a film by Eldar Ryazanov, which stands out prominently against the background of his other works. First of all, the fact is that the picture is a heart-rending drama, and not solved in the genre of the lyric comedy that is customary for the master . What is this tape about and why did Ryazanov turn to such a tragic story?

Lyudmila Razumovskaya: "Dear Elena Sergeevna"

Razumovskaya is a famous Leningrad playwright. It was she who wrote the work, after which the picture of Ryazanov "Dear Elena Sergeevna" was later taken off. The play Razumovskaya was a success not only in the USSR, but also was staged in a hundred theaters in Germany.

And it all began in 1978, when Lyudmila received her education at the higher scenario courses of GITIS. Then the beginning dramatist received a large order from the Ministry of Culture: it was required to create a play about the problems of raising difficult children. However, officials did not like the work written by Razumovskaya and its brief content. "Dear Elena Sergeevna" was rejected by the government, but the directors of the best theaters of the world were warmly greeted by the play. I was interested in the history of a poor teacher and cinema.

Film crew

Eldar Ryazanov drew attention to the play Razumovskaya immediately after its creation, but due to the change of government the director was denied a film adaptation. In the late 1980s, publicity and weakening of censorship was announced. Therefore, already in 1987, the director began to shoot a long-planned picture.

Performers on the role of schoolchildren were first planned to find among the real students of general education institutions. But this task was not easy, so I had to take the leading roles of the students of the primary courses of the Shchukin school. To cope with the production process, Ryazanov was assisted by Valery Ahadov - an actor, director and screenwriter in combination.

Shooting took place in Moscow. The actors had to swim in the lake in October and pretend that they were unbearably hot. On the platform between the young performers and the master, conflicts arose many times: Ryazanov believed that the young "shchukintsy" irresponsibly treated their profession.

Summary: "Dear Elena Sergeevna"

On the screens the picture came out in 1988. And she simply shocked the audience with the truth of life: the cruelty and unbridled adolescence. What is its summary?

"Dear Elena Sergeevna" - a film about the lost youth of the 80's. Four teenagers apply for an apartment to their school teacher on the pretext that they want to congratulate her on her birthday. But in fact, young people have failed to pass the exams and this is fraught with failure for them during the entrance examinations to the university. Therefore, they are solved by blackmail, threats and all available means to lure Elena Sergeevna key from the safe, where the examination papers are located, in order to correct mistakes in them.

Elena Sergeyevna during one and a half hours of screen time is trying to bring the crazed teenagers to their senses, but they only become more cruel, lower down in their attempts to get what they need. In the final picture, both sides remain with nothing: the teacher can not change the outlook of her students, and adolescents - to correct their assessments.

main character

Marina Neyolova agreed to act in the film right away, after learning its brief content. "Dear Elena Sergeevna" is the only project in which the actress was able to cooperate with Eldar Ryazanov.

As a child, Neelova was engaged in ballet, then entered the Leningrad State Institute of Theater, Music and Cinematography. The actress was filmed in the cinema during her studies: Marina Mstislavovna was not only talented, but also quite attractive.

Her young actress debuted immediately in the main role: Nadezhda Kosheverova entrusted her with the central heroine in her project "An Old, Old Tale." Neyolova's partners in the set were Oleg Dahl, Vladimir Etush, Georgy Vitsin. Then there were the main roles in the films "The color of white snow", "We are waiting for you, the guy" and "Monologue".

But it was the film "Dear Elena Sergeevna" that brought the actress all-Union popularity. For realistic reincarnation in a modest single teacher Neelova had to get rid of a luxurious shock of blond hair, tie a tiny knot on her head and change a stylish dress to an old-fashioned dress for polka dots. Unfortunately, the artist's efforts were not marked by any award.

Natalia Shchukina in the role of Lyalya

"Dear Elena Sergeevna" is a film from which the career of this artist practically began.

Natalia Shchukina was born in Barnaul and since childhood she attended theater school. At the age of 15, the girl was invited to play the role of Olga in Ruben Muradyan's film "A Picture for Memory". The painting was produced by the Sverdlovsk Film Studio. The girl became famous, and in three years she was offered a role in the painting by Stanislav Govorukhin "Spray of Champagne".

At the time of filming, "Dear Elena Sergeevna" Natalia turned 17 years old, like her heroine Lyalya. In the story, along with her classmates, the girl comes into the house to her teacher to threaten to force her to give the key to the safe. However, in Lala, the conscience wakes up earlier than in her friends. She promises the teacher to take the guys out of her apartment, but it turns out that the gang leader of their gang has other plans: to play the scene of Lali's rape in front of Elena Sergeevna, to force her to put the key on the table. The teacher, unable to tolerate all the disgrace, gives them what she wants. However, classmates quarrel among themselves and leave with nothing. The key is to lie on the bedside table in the apartment.

Andrei Tikhomirnov as Volodya

The guy had to play a school graduate at 21. But thanks to his shaky constitution, the actor coped well with this task.

For the first time Tikhomirnov appeared on the screens in 1987. Director Valery Kurykin shot a picture of "Blackmailer", in which Tikhomirnov got the role of a complex teenager. This movie was played by such celebrities as Mikhail Efremov, Leonid Kuravlyov and Sergey Garmash. Andrew looked good in the shot, so Ryazanov took him to his project "Dear Elena Sergeevna."

Analysis of the story line allows us to say with certainty that Tikhomirnov's hero is almost the only participant in the quartet who absolutely did not repent. Volodya is not only the instigator of all the disorders in the teacher's house: unlike his classmates, he does it consciously, guided by a cold calculation. Volodya alone can truly conduct a dialogue with a teacher who tries to reason with children - Pashka, Lyalya and Vityok often do not find that to object to Elena Sergeevna in her arguments. But Volodya always knows what to say, he firmly articulates his philosophy of life and does not disdain the most dirty methods to achieve his goals.

Dmitry Marianov as Pasha

Today, the actor is quite recognizable. Dmitry was only 19 years old, when in his filmography appeared the picture "Dear Elena Sergeevna."

Characteristics of the characters of the film, at first glance, looks unambiguous: spoiled and spoiled children. But in reality each hero has his own barrier, below which he can not descend. For example, for the hero Andrei Tikhomirnov, there are no prohibited methods and dishonest means. Lyalya surrenders on the second day of the siege of Elena Sergeevna's apartment, realizing that they have gone too far with friends. A Pasha in the performance of Marjanov normally refers to the organized pogrom in the teacher's house. But when it comes to raping a girlfriend in jest, he declares that there is not a single reason that will make him go to such a meanness. Still, Pavel can not prevent this unpleasant scene: Volodya locks him on the roof and returns to the teacher's flat already to continue her blackmail.

Reviews of the picture

The classic of Soviet cinema is Eldar Ryazanov's film "Dear Elena Sergeevna." Reviews about the picture have been for many years continue to arrive mostly positive. People again and again review the tape of Ryazanov, sympathize with the main characters, because the problem of difficult young people has not been resolved even in our days. Such films are a way to show the teenagers who are overweight, what leads to their ill-considered behavior and how it looks from the outside.