Crop circles

Crop Circles.

Do not be seven wits in the forehead, to understand that something is amiss with the planet. For example, the number and strength of natural disasters that claimed hundreds of thousands of human lives increased by an order of magnitude. The geophysical parameters of the Earth are changing dangerously rapidly. There is a fivefold increase in the drift velocity of the North Magnetic Pole in comparison with previous years, uneven changes in the levels of the world's oceans associated, in turn, with global warming and much more. And in addition to all this, we fell on the head circles in the fields. We were directly attacked by reports of this phenomenon. So what is it?

Everyone says that crop circles are the greatest mystery of our time. Who draws them, what do they mean? Circles are found in all corners of our planet: in America, Canada, India, Russia and so on. At present, more than 10 thousand of them have been discovered. The bulk of the circles are found in England, which is probably why the Queen of England promised a reward to someone who reveals their secret. But even without this award a huge number of people take part in this finder's marathon. I would also like to offer my views on this problem. To do this, I need to draw an analogy of circles in the fields and rock paintings of our distant ancestors.

Ancient rock carvings are called petroglyphs. This word is derived from two Greek words: petros - stone and glife - carving. The number of petroglyphs is huge, it is believed that there are more than a million of them, and they are scattered all over the planet. In 1994, archaeologist Jean-Marie Chauvet discovered a cave in the south of France, later named after him. On its walls were about 300 images of animals of the glacial period extinct or destroyed by primitive people. In the Altamir Cave, located in the Spanish province of Cantabria, the most ancient rock carvings have been found. Their age is 40800 years. Skilful polychrome drawings of animals, palm prints are made with ocher, charcoal and other natural dyes. Many drawings depict scenes of hunting, life, are ritualistic. The skill of the ancient artists was constantly increasing, the subjects became more sophisticated until they reached the perfection of modern painting.

Basically, all the pictures are understandable, but there are some pictures that have a mysterious and inexplicable meaning. They give us an opportunity to assume the possibility of paleontological contacts with representatives of other worlds. So in one of the drawings found in northern Italy, we can see two aliens descending from the sky, and imagine strange objects in their hands as a weapon for protection against "harmful" Aborigines. And, for example, in the figure found in Uzbekistan, we see a rock image of a glowing person in a closed loop. The shining figure sits on the throne, and near the figures standing on her face, something similar to protective masks is worn. At the person kneeling in the lower part of the drawing there is no such device - he is at a considerable distance from the luminous figure and, apparently, does not need such protection. Protection from what, can from radiation, and a closed circuit, just a nuclear reactor? By the way, it has long been known that our imagination has no boundaries.

And now let's imagine that we are looking at the same pictures, but already in the status of a monkey. Animals do not have intelligence, they lack imagination, but they have senses, that is, they can see, hear, smell and so on. In our case, our woolen "researcher" perfectly sees the drawings, he can sniff them, lick, touch, but no more. He does not have consciousness. He stands on one stage of the evolutionary ladder below the man, and on this stage there is no consciousness, only sensations here. Figures are executed by the highest, in relation to it, being, they are accessible to him only in sensations. And now back to the crop circles.

The most original, though not the earliest, image of crop circles dates back to 1687. This is the famous engraving "The devil with a scythe". On the engraving visible ears, laid in the form of a circle. According to the legend, the farmer refused to pay the queen the required amount, saying: "Let the devil take this oats." In the morning he saw that the devil had taken his oats. Circles in the fields of that time were explained as tricks of evil spirits. The modern history of circles begins in 1972, when two Englishmen, lovers of mysterious phenomena, warm moonlit night, sat on the hillside of Wiltshire, near Stonehenge. They hoped to catch a couple, three UFOs, which are full of them. Luck has surpassed all expectations. A hundred meters from their observation post, they saw how an invisible force literally presses the wheat ears clockwise, forming a huge imprint. The phenomenon was accompanied by a raspy sound and lasted no more than 20 seconds. From this moment on, the messages about the crop circles were showered with an avalanche from all over the world. Over time, the drawings became more and more complicated, their sizes increased, and their number increased. In early June 2009, on a barley field, in Oxfordshire, England, a figure was discovered, which the researchers dubbed a jellyfish. He reminds me more of a tadpole. The length of the tadpole along with the tail is more than 180 meters and it is a rather complex figure. The sizes of some drawings reach 500 meters in diameter. The subjects of drawings are also diverse. These are various insects, snowflakes, beautiful ornaments. There are drawings on which the solar system, the DNA molecule and much more are depicted.

What conclusions can be made from the above. The first conclusion is that the creature that creates the drawings in the fields is the evolutionary product of our planet, and it stands at a higher stage of development than man. This is not an alien, it's a new product that appeared on our native planet as a result of the evolutionary process, the next fan of painting. He appeared exactly the same way that a man appeared on Earth who is also an evolutionary product of our planet. Man stands at a higher stage of evolution than the monkey, and the new being, in turn, stands at a higher stage of evolution than man. It turns out that evolution did not stop at man and went further, as a result of which a new creature appeared on the Earth, which has already begun to manifest itself and one of such ways of manifestation are circles on the fields. Let's return to our monkey. Imagine that she entered the cave and looks at the drawings on her walls. It does not have the mind, but can only see what the person has drawn there. A monkey can look at pictures, but can not comprehend them, it does not possess the property of a person to think. And now now a person comes to the field, where he sees complex drawings, carrying certain information and created by a creature with an extremely high technological level of development. A powerful person, the king of nature, himself appears here in the role of a monkey. He can comprehend the content of the drawings, put forth various theories of their origin and their meanings, but he does not possess that new property that the new creature of the planet, which created these drawings in the fields, received in the course of evolution. Rock paintings are not created for monkeys, they are a self-expression of a person. Crop circles are executed, as it became clear to us, not by extraterrestrials, but by our earthly inhabitant, who appeared not so long ago. His circles are not a message for a person, they are a manifestation of the inner content of this being, they carry information about its structure, its abilities and capabilities. Its development is very fast and is improving right before our eyes. We see that this creature easily manages with space and time, firmly stands on its own feet and confidently walks the planet. The man fulfilled his mission, he withdrew from the distance, he lost his position as the host of the planet to a new creature and became the second number. Now a person will have to actively fight for the right to exist on the planet with her new lodger. A lodger while drawing circles in the fields.