Painting of the temple. From the beginnings to the present

As the fathers of the church teach, the temple is not just the walls in which the services are held. According to religion, symbols have meaning. Some parts of the temple are important in the services, while they carry a certain message, fully revealed in the monumental painting, which expresses the entire teaching of the Church. The painting of the temple contains his invisible presence, and the more the picture corresponds to the canons, the stronger this presence is felt, bringing more grace.

The first murals

From ancient times images in churches were intended to give information to the people. The painting of the walls of the temple is a continuation of the cathedral forms, they should carry not only the preaching purpose, but also answer poetic-figurative functions. In addition, painting is a reflection of the transformation of ideals and the progress of popular thought.

How art developed

Since the end of the XIV century, the Moscow principality took the leading role in the art of temple painting, which at that time led the unification of lands and the battle for the overthrow of the yoke of the Tatar-Mongols. The school, one of the natives of which was Andrei Rublev, had a significant influence on the formation of painting.

The name of this icon painter is associated with the flowering of art. This period coincided with the early Renaissance in Italy. A worthy successor to Rublev was Dionysius, the painting of the Orthodox church of which is characterized by refinement, refinement, bright and bright palette.

After Dionysius one can observe the desire for a structured story unfolding on the walls of the cathedral. Often, such a painting of the temple differs congestion. At the beginning of the 17th century, the Stroganov School was born, an important part of which was landscape painting, in which the diversity of nature was displayed.

The century is rich in dramatic events in the history of the state, but at the same time, a secular culture that influences the painting of the temple has developed. For example, the most significant painter of this period Ushakov calls for truthfulness in the drawings. Peter I, who ascended the throne, strengthened the worldliness of perception. An even greater impact on the extinction of stenographic art was the ban on the use of stone in the construction of buildings outside St. Petersburg.

Steps to the revival of the temple painting were made only by the middle of the century. It was at this point that the images were placed in the moldings. By the end of the XIX century in the collection of cathedrals, classicism prevailed, characterized by an academic manner of writing, combined with alfresic and ornamental paintings.

Religious painting of the XIX-XX centuries

Temple painting of this period develops according to the laws of Russian modernism, which originated in Kiev. It was there that you could get acquainted with the works of Vasnetsov and Vrubel. The walls of the Vladimir Cathedral, painted by Vasnetsov, were photographed in detail, the splendor of the entire country was shown.

Many artists sought to imitate this technique when working in other churches. The painting of the temple of this period greatly influenced the technique of other artists. A close study of the temple painting made it possible to obtain an unforgettable experience, contributing to the selection of a style suitable for a specific architecture.