Holly Golightly: characterization of the image

"Breakfast at Tiffany" - one of the most famous films of the 1960s, which already acquired the status of a cult, thanks not only to the original story, the magnificent soundtrack, but also to the participation of O. Hepburn, who played the main role in the film. The song in her performance has not lost its popularity so far; Many modern singers readily choose it for performance at concerts. And the famous black dress of Holly Golightly, the main character of the film, created by the famous French fashion designer Yu. Zhevanshi, immediately became the standard of elegance, elegance and beauty.

Staging the plot

The composition of the film is quite simple: it tells about the acquaintance of a young talented but not yet glorified writer with an amazing girl, his neighbor, who immediately attracts his attention with his unusual character, unusual outlook and a few strange habits. Holly Golightly lives alone in a small apartment next door to the writer, leads a somewhat erratic lifestyle, but at the same time keeps a fresh look at the world, optimism and a great sense of humor.

Relationships of Heroes

Gradually, both are imbued with sympathy for each other: the writer even begins to compose his new work about his new acquaintance. In turn, Holly Golightly also likes her intelligent neighbor, but at the same time she continues to love a beautiful life and therefore tries to get herself fans who swirl around her in droves.

However, among the endless parties, holidays and carefree pastime, she did not lose herself and still remains the same simple girl, who also came to the city. This is what attracts a writer in her, who throughout the whole movie does not cease to be surprised at such a dual and contradictory existence. In the course of the development of the action, the viewer learns something about the past of Holly Golightly: she was married for a while, left the family, but she remained in love with her brother and relatives.

The image of the heroine

This girl does not think about anything and lives for today. She does not consider herself bound by anything and believes that she has no obligations to anyone. That's why the heroine leaves her family, although she is very worried about it. The main credo of Holly Golightly is to be free and not depend on anyone. The only creature to which she is more or less permanently attached is her unnamed cat, with whom she almost never parted. However, the fact that she does not want to give him a name, says that she again avoids excessive sensitivity and attachment to him and therefore prefers to call him simply "cat", as if thereby depersonalizing him.

The image of Holly

Appearance of the heroine of the movie "Breakfast at Tiffany" highlights her inner world and character features. Indicative of the fact that at first the main role was supposed to invite M. Monroe, which, according to the author of the script, was more suited for the performance of the girl of easy virtue. But she refused, and then O. Hepburn was invited to the picture, which had previously become famous for the performance of heroines of a completely different type: gay, childishly slightly naive, but sensitive, sometimes serious and at the same time touching. Therefore, in her performance, Holly turned out to be not so much a life-maker as she was supposed to be under the script, but rather a girl with a complicated and extremely controversial character.

The graceful little features of the actress, her chiseled fragile figure, her large, wide-open eyes speak of her unusual inner world. This contrast is also emphasized by her outfits. She appears in elegant black dresses with large costume jewelry, then in extremely simple, almost home suits. All this further emphasizes the contradictoriness and ambiguity of her personality.

The final

Holly Golightly, whose image is the subject of this review, has become one of the most famous heroines in the history of world cinema. And the final scene of the picture with her participation is especially memorable due to the fact that in it, at last, the heroine found herself after a strange outburst of anger, which nearly broke her. The moment when a girl in the rain finds her nameless cat, who was driven away in a fit of frustration and irritation, still remains one of the most famous and touching scenes. In addition, it carries a great semantic load: after all, it was then that the heroine made the first firm decision to change her former way of life and accept the writer's offer to marry him.

The fact that Holly could not part with her cat, says that she had a strong character and great willpower, despite the apparent carelessness and frivolity. At the same time, her song sounds, which she sang in the middle of the film, which also reveals the girl's lyrical character and her touching soulfulness.