Boudoir - what is it? General definition and role in the work of the scandalous Marquis de Sade

"The philosophy of the boudoir" of the Marquis de Sade as a small window in the mores of the time that conceal deep needs without a husk. First, we'll find out the basics.

The very word "boudoir" sounds intriguing. It conceals secrets and mysteries in itself, being a symbiosis of femininity and a secret arena on which human destinies are being wrought. Women at all times had a great influence on men, and probably most decisions were made not in the offices, but in these secluded chambers.

What is this?

Boudoir was called the women's chambers, dating back to the 18th century. Note - not a faceless "female half", but a charming, enticing boudoir. What is it in practice? Just a few rooms, where the woman rested, engaged in their own affairs and hosted guests in an informal atmosphere. It was there that you could meet your friends, allowing yourself to flaunt in translucent peignoir. Everywhere there is a negative, temptation, languor and a hidden challenge. The boudoir allowed to fascinate the powerful of this world, practically "without removing pajamas". Flirting on the brink of a foul, dancing on a fine line of decency.

The Boudoir is not only a zone of coquetry

These rooms attracted men with their symbiosis of permissiveness and propriety. The double bottom of the premises, designed to provide comfort to women in their daily affairs, regularly received response in a variety of works from the field of painting and literature. Indeed, the boudoir is a bottomless source of inspiration for lovers of beauty. Do not fail to this source in due time to join the scandalous Marquis de Sade.

About the poor marquise, say the word

This outstanding husband was born in France in 1740. The writer, philosopher and unprincipled admirer of absolute freedom belonged to the most ancient family of the French aristocracy. During his whole life (and he lived a lot - 74 years), the Marquis wrote many works, among which there is also the "Philosophy of the Boudoir" de Sade. It is not possible to fully describe his valorous biography-it was so saturated that it would suffice for several lives or for one detailed article, so we will single out only the basic tenets of philosophy that de Sade adhered to:

• God does not exist. The absence of morality as such, the denial of church canons. Propaganda of aggressive hedonism.
• Chanting a free person, not burdened with frames. In his opinion, the same boudoir - what is it? Abode, where a man can let himself go and make animal manifestations absolute, even if he can not "lose face" in public - no one will see, no one will tell.
• There are no estates. There are only those who command and those who submit - the middle is not given. Primitive question of the strongest and weakest in all its monotony.
• Denial of any rules in principle.
• Reciting the killing as a natural process designed to save the Earth from overpopulation, which will result in an acute need for resources.

"The philosophy of the boudoir" of the Marquis de Sade

One of the works of the Marquis, as already stated above, is devoted to the boudoir, or rather, to what is happening in it. The short story is as follows: a young girl comes to visit, where she meets a couple who gladly dedicates her to the mysteries of love. The key place of action is the boudoir. "What it is?" - you can exclaim in a fit of righteous indignation and you will be right. However, de Sade does not care, for desires are above all. If you move away from the details of the description and evaluate the picture in general, you can understand that this work is the most gentle (against the background of his other works) points to the perception of the world by the writer. It is controversial, but has the right to life, like any opinion.

If desired, we can draw a parallel between this work and the theory of Sigmund Freud, in which he emphasized the unconscious, in parallel with this singling out the animal It, the habitual I and the unreachable Self. De Sade elegantly bypasses the latter two concepts, fully focusing his attention on the first. "Libido - it's good, it's important and necessary, go at it on an occasion and come what may!" - the author tells us between the lines. No platonic love and sublime feelings at the fingertips, direct satisfaction of their desires. Of course, the philosophy of the boudoir is controversial, but there is also a rational grain in it - in pursuit of the complexity and sublimity of feelings, people forget to establish contact with themselves, to understand what they really want.

So, all the same boudoir - what is it? A place where they will not be seen or condemned, a place where you can spend a little time in the skin of the Marquis de Sade without losing a social image.